Monday, March 12, 2012

Digital Photography Book, Vol. 2


The Digital Photography Book, Volume 2/Scott Kelby, Berkeley:  Peachpit Press, 2007 (223 p.)
To quote Scott Kelby from Chapter 1, “This is volume 2 of The Digital Photography Book and it picks up where the last book left off (so it’s not an update of that book, it’s new stuff …”  In the same manner as volume 1, Kelby approaches this volume as though he and the reader were out together on a photo shoot and the reader asked how to do a particular task.  The result is an easy to read volume, not overloaded with technical details but instead filled with useful information.  At 223 pages, you get another 200 or so helpful hints or ideas on how to make your photography better.

Volume 1 provided broad coverage of almost every photographic subject.  While volume 2 continues this coverage of multiple areas, the emphasis leans strongly toward “people photography” with longer chapters on lighting, building a studio, portraiture, and wedding photography.  It also includes shorter chapters on landscape, travel, and macro photography but these are clearly not the emphasis of this volume.
Like volume 1, volume 2 closes with two chapters covering pro tips and photo recipes, or techniques used to capture selected sample images.  In both volumes, these two chapters provide some of the most useful and easiest to read information.  As is the case with the rest of volume 2, the emphasis of these two chapters is people photography.  Kelby’s dry humor remains, primarily on the introductory pages of each chapter, and can be read or ignored as the reader prefers.  As a tease, I found his story of his recent contract with National Geographic to be particularly humorous.
Peachpit rates this book as a Beginner Level volume but unless you are a true expert, any reader may find helpful information included.  This is particularly true for photograhers who, like me, prefer areas other than photographing people.

Another good volume that is well worth the investment (by the way, you can get volumes 1, 2, and 3 as a boxed set at considerable savings). 

Friday, March 9, 2012

Digital Photography Book, Vol. 1


The Digital Photography Book, Volume 1/Scott Kelby, Berkeley:Peachit Press, 2006 (218 p.)


The first volume of a series of four (as of March 2012) books written by Scott Kelby on digital photography techniques, this book quickly departs from the typical reference volume filled with both comments on how and reasons why a photographer should do anything.  Instead, Kelby approaches this as though he and the reader were out together on a photo shoot and the reader asked how to do a particular task.  The result is a 218 page book that contains about 200 one-page hints on how to make your photography better.

While you can read the book cover to cover as I did, you can just as easily pick it up and read a chapter or even a page or two on a specific topic of interest.  Each chapter is devoted to a general area of photography like flowers, weddings, landscapes, and sports and most can easily be read in a single sitting.

For those who have not read other books by Kelby it may take a little time to appreciate the humor that he injects throughout the book.  Although this is primarily limited to the introduction and first page of each chapter, it occasionally sneaks into other locations.  If the humor bothers the reader, they can skip the introductory pages with no loss of content.  For the rest of us, it offers a nice break as you are going through the book.

I will be reading the other four volumes of this series over the next few weeks and add comments on them as they are completed.   Peachpit rates this book as a Beginner Level volume but unless you are a true expert, any reader may find helpful information included.  Chapter 11 may be of particular interest to more advanced photographers.  In this Chapter, Kelby discusses techniques for taking specific photos which can be useful when trying to capture a certain mood or appearance.

Overall, a good book that can be read by photographers at all levels regardless of the type of digital camera they use (even those who use their smart phone as their only camera may find some of these tips valuable).  One quick note in closing, because this book was published in 2006, some of the software versions mentioned are slightly dated but all of the software remains available just in newer versions.

Friday, March 2, 2012

How to Understand Israel in 60 Days or Less/ Sarah Glidden. D.C. Comics; New York. 2010 (p. 206)

This is a memoir of Sara Glidden's Taglit- Birthright Israel tour, an organization which offers free Israel tours to 19-26 year old, who have never been to Israel. It chronicles Glidden's roller-coaster of emotions and thought processes as she traveled to different parts of Israel.  The graphic novel is a great format for expressing Glidden's youthful angst as she tries to reconcile her conflicting perceptions of the land and people she encounters. I wouldn't exactly call this a fun read but in its own way a coming-of-age story.

Tuesday, February 28, 2012

Landscapes


The Digital SLR Expert:  Landscapes /Tom Mackie, William Neill, David Noton, Darwin Wiggett, and Tony Worobiec, Cincinnati: David and Charles, 2008 (144 p.)
This is the fourth photography book that I have reviewed as part of the Missouri Book Challenge.  When I read the introduction my initial thought was “Finally, a book by Canon shooters,” since the other three books were by Nikon shooters.  I also thought that this book should be a fairly quick read since it was only 144 pages and about 2/3 of the book was taken up by photographs.

I was somewhat disappointed on both counts.  First, once I had read the introductory materials, there was little reference to photography gear other than in the technical notes accompanying each of the photos.  Second, while the material presented in the book was fairly complete, each set of two-three pages addressed an individual topic or technique and there was little or no segue between these groupings.  As a result, I found it difficult to read more than five or six pages at any one sitting.  This was further complicated by the extremely small font used throughout the book (younger readers may not find this problematic but my eyes just aren’t what they used to be J).

While I found the overall body of the book difficult to follow, there were small hint blocks scattered throughout the text which many will find helpful.  The book itself is divided into five chapters with one chapter written by each of the authors so you do get different perspectives as you move from chapter to chapter but it might have been more useful had the views of two authors been shared in each of the chapters.

Many of the sections include tips on how to use PhotoShop.  The unfortunate thing is that because the book was published in 2008 these techniques are geared toward PhotoShop 3.  The same techniques are possible in PhotoShop CS5, and presumably in 4, it may take some searching to locate the specific tools or techniques referenced.

After struggling through this book, I would probably give it 2½ to 3 stars of 5.  It is definitely not a book for a beginning landscape photographer.

Monday, February 27, 2012

Tinker, Tailor, Solider, Spy / John le Carré. New York: Alred A. Knopf, 1974 (p. 355)

"Tinker, Tailor, Solider, Spy by John le Carré is an inaction-packed suspense novel about a high-level mole in British intelligence and one man's mission to uncover the traitor and take him down.
The heart of the novel is more about the men in control of British intelligence during this period. The men who were "trained to empire, trained to rule the waves," but found it "all gone. All taken away." That's the interesting part of Tinker, Tailor, Soldier, Spy. How did England adapt to its new place in the world? What was the realization like for the English as they saw their power diminish?"
Read the entire review here.

Thursday, February 23, 2012

D. C. Dead



D. C. Dead/Stuart Woods, New York:  Putnam Adult, 2011 (304 p.)

I finished this book in mid-January but have held off writing a review because of really mixed feelings about the book.  In my mind this is not one of Stuart Woods’ stronger works but still it does have some good points.

D. C. Dead is identified as part of the Stone Barrington series written by Woods but it could just as easily have fit in one or two of his other series.  While Barrington, a New York attorney, and his best friend, Detective Lieutenant Dino Bacchetti, appear throughout the book their roles at time seem almost minor.  They are simply included but aren’t making a strong contribution to the story line.  With this in mind, hard core Woods fans may find the book somewhat disappointing.  On the other hand, for the casual reader this book is an easy, quick read requiring minimal investment.

As a mystery, I found the book less appealing.  First, the story line seemed highly implausible.  With access to a wide variety of law enforcement and other government agencies it seems unlikely that the President would call in a New York attorney and detective to investigate a murder at the White House.  Second, unlike some of Woods’ other mysteries, I had identified the killer by the time I was about half way through the book.  My only reason for continuing to read was that I had not determined the motive.

A minor problem for me with all of the Stone Barrington series is a personal perception that I developed the first time I was introduced to Detective Bacchetti.  For whatever reason, I immediately identified him with Paul Guilfoyle (Detective Jim Brass on the television series C.S.I).  With this in mind, I often find other scenarios less plausible.

Unlike some other reviewers, I’m not ready to give up on Woods and Stone Barrington – at least not yet.  But I really hope that future volumes will return to the stronger writing seen in both the Stone Barrington series and the Holli Barker series.

The Rope


The Rope /Nevada Barr, New York: Minotaur Books, 2012 (357 p.)
By my count this is the seventeenth book in Barr’s Anna Pigeon series.  For some, this should have been the first book since it introduces the reader to how and why Anna Pigeon came to work for the National Park Service and decided to become a full-time park ranger.

Like most of Barr’s books, The Rope combines mystery with the beauty of our National Parks and those who have travelled to the parks where the stories are based will recognize both the geography and many of the specific locations that Barr includes.  In this book, Anna has abandoned her life in New York City and moved to the Glen Canyon/Lake Powell area where she is serving as a part-time summer worker.  While initially living in a shell of self-imposed seclusion, after her life is threatened Anna is forced to become more open and develop friendships with those who will help find the culprits.
I have enjoyed most of the Barr books that I have read, including this one but I agree with others who have indicated that this book is a bit dark when compared with others in the Anna Pigeon series.  It seems like Barr must be going through a change in her writing style because the other recent work of hers that I’ve read, 13 ½ was extremely dark.  Hopefully Barr will move back to the more traditional story lines if she continues with the Anna Pigeon series.
Even though the book is a bit lengthy and dark, I would still recommend it, particularly to those who have followed Anna Pigeon’s National Park Service work at other parks around the U. S.